Passion Film 51 User-Kritiken
Die elegante Chefin Christine hat die Berliner Filiale einer US-Werbe-Agentur fest im Griff. Doch als sie ihrer Mitarbeiterin Isabelle deren brillante Kampagnen-Idee klaut, schlägt Isabelle unerbittlich zurück. Bald kommt es zu einer fatalen. After Passion (Originaltitel: After) ist ein US-amerikanischer Liebesfilm von Jenny Gage, der auf dem gleichnamigen Roman der Autorin Anna Todd basiert. Passion ist ein unter der Regie von Brian De Palma entstandener Thriller aus dem Jahr In den Hauptrollen sind Rachel McAdams, Noomi Rapace, Paul Anderson und Karoline Herfurth zu sehen. Der Film ist ein Remake des französischen Thrillers Liebe und Intrigen. Entdecke die Filmstarts Kritik zu "After Passion" von Jenny Gage: Spätestens seit auf den Buchseiten ja erst die titelgebende Passion, die deshalb nun im Film. 51 Userkritiken zum Film After Passion von Jenny Gage mit Josephine Langford, Hero Fiennes-Tiffin, Samuel Larsen - aloizias.se
Entdecke die Filmstarts Kritik zu "After Passion" von Jenny Gage: Spätestens seit auf den Buchseiten ja erst die titelgebende Passion, die deshalb nun im Film. Die elegante Chefin Christine hat die Berliner Filiale einer US-Werbe-Agentur fest im Griff. Doch als sie ihrer Mitarbeiterin Isabelle deren brillante Kampagnen-Idee klaut, schlägt Isabelle unerbittlich zurück. Bald kommt es zu einer fatalen. Mit der Ankunft an der (fiktiven) University of Atlanta verwandelt sich After Passion jedoch in einen Film, dem man nichts mehr so wirklich glauben mag.
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Mission to Mars Adventure Sci-Fi Thriller. Box Office Mojo. Retrieved 4 April Wild Bunch. Archived from the original on 19 October Retrieved 18 October The A.
British Film Institute. Venice Biennale. Archived from the original on 28 July Retrieved 28 July The Dissolve.
Retrieved 26 October Archived from the original on 26 October The New York Times. Retrieved 2 April The Hollywood Reporter. The Skinny.
Rotten Tomatoes. Fandango Media. Retrieved 20 June CBS Interactive. Retrieved 14 October Archived from the original on 18 October Retrieved 16 October On February 7, , 20th Century Fox re-released the film on Blu-ray and DVD featuring both cuts, with the theatrical version being dubbed in English and Spanish;  this marks the first time the film has ever been dubbed in another language.
The network has continued to air the film throughout the year, and particularly around Easter.
Its total broadcast ran for two hours, but excluding the advertisements, it would only run up for approximately one hour instead of its full run time of two hours and six minutes.
TV5 is the first broadcast network outside of the United States and dubbed the Vernacular Hebrew and Latin language to Filipino through translating its supplied English subtitles.
The website's critical consensus reads: "Director Mel Gibson's zeal is unmistakable, but The Passion of the Christ will leave many viewers emotionally drained rather than spiritually uplifted.
In a positive review for Time , its critic Richard Corliss called The Passion of the Christ "a serious, handsome, excruciating film that radiates total commitment.
That his film is superficial in terms of the surrounding message -- that we get only a few passing references to the teachings of Jesus -- is, I suppose, not the point.
This is not a sermon or a homily, but a visualization of the central event in the Christian religion. Take it or leave it.
A number of independent websites, such as MyLifeAfter. Documentaries such as Changed Lives: Miracles of the Passion chronicled stories of miraculous savings, forgiveness, newfound faith, and the story of a man who confessed to murdering his girlfriend after authorities determined her death was due to suicide.
Other honors The film was nominated in the following categories for American Film Institute recognition:.
Despite criticisms that Gibson deliberately added material to the historical accounts of first-century Judea and biblical accounts of Christ's crucifixion, some scholars defend the film as not being primarily concerned with historical accuracy.
Biblical scholar Mark Goodacre protested that he could not find one documented example of Gibson explicitly claiming the film to be historically accurate.
Now, so long as it didn't do that, I felt that I had a pretty wide berth for artistic interpretation, and to fill in some of the spaces with logic, with imagination, with various other readings.
Gibson's description:. It's evil distorting what's good. What is more tender and beautiful than a mother and a child?
So the Devil takes that and distorts it just a little bit. Instead of a normal mother and child you have an androgynous figure holding a year-old 'baby' with hair on his back.
It is weird, it is shocking, it's almost too much — just like turning Jesus over to continue scourging him on his chest is shocking and almost too much, which is the exact moment when this appearance of the Devil and the baby takes place.
Allen Jr. On December 24, an anonymous Vatican official told Catholic News Service "There was no declaration, no judgment from the pope.
On January 19, , Gabriel Snyder reported in Variety that before McEveety spoke to Noonan, he had requested and received permission from the Vatican to use the "It is as it was" quote.
Further complicating the situation, on January 21  Dreher emailed Navarro-Valls a copy of the December 28 email McEveety had received, and Navarro-Valls emailed Dreher back and said, "I can categorically deny its authenticity.
Interestingly, Ms. Noonan reported in her Dec. She sent me a copy of that e-mail, which came from the same Vatican email address as the one to me and to Mr.
On January 22, Noonan noted that she and Dreher had discovered the emails were sent by "an email server in the Vatican's domain" from an Vatican computer with the same IP address.
The film is a cinematographic transposition of the historical event of the Passion of Jesus Christ according to the accounts of the Gospel.
It is a common practice of the Holy Father not to express public opinions on artistic works, opinions that are always open to different evaluations of aesthetic character.
On January 22 in The Wall Street Journal , Noonan addressed the question of why the issues being raised were not just "a tempest in a teapot" and she explained: .
The truth matters. What a pope says matters. And what this pontiff says about this film matters. The Passion, which is to open on Feb.
The film has been fiercely denounced as anti-Semitic, and accused of perpetuating stereotypes that will fan hatred against Jews.
John Paul II has a long personal and professional history of opposing anti-Semitism, of working against it, and of calling for dialogue , respect and reconciliation between all religions.
His comments here would have great importance. Before the film was released, there were prominent criticisms of perceived antisemitic content in the film.
Hikind warned other companies that "they should not distribute this film. This is unhealthy for Jews all over the world. A joint committee of the Secretariat for Ecumenical and Inter-religious Affairs of the United States Conference of Catholic Bishops and the Department of Inter-religious Affairs of the Anti-Defamation League obtained a version of the script before it was released in theaters.
They released a statement, calling it. It must be emphasized that the main storyline presented Jesus as having been relentlessly pursued by an evil cabal of Jews, headed by the high priest Caiaphas , who finally blackmailed a weak-kneed Pilate into putting Jesus to death.
This is precisely the storyline that fueled centuries of anti-Semitism within Christian societies.
This is also a storyline rejected by the Roman Catholic Church at Vatican II in its document Nostra aetate , and by nearly all mainline Protestant churches in parallel documents Unless this basic storyline has been altered by Mr.
Gibson, a fringe Catholic who is building his own church in the Los Angeles area and who apparently accepts neither the teachings of Vatican II nor modern biblical scholarship, The Passion of the Christ retains a real potential for undermining the repudiation of classical Christian anti-Semitism by the churches in the last 40 years.
For filmmakers to do justice to the biblical accounts of the passion, they must complement their artistic vision with sound scholarship, which includes knowledge of how the passion accounts have been used historically to disparage and attack Jews and Judaism.
Absent such scholarly and theological understanding, productions such as The Passion could likely falsify history and fuel the animus of those who hate Jews.
Rabbi Daniel Lapin , the head of the Toward Tradition organization, criticized this statement, and said of Abraham Foxman , the head of the ADL, "what he is saying is that the only way to escape the wrath of Foxman is to repudiate your faith".
In The Nation , reviewer Katha Pollitt wrote: "Gibson has violated just about every precept of the United States Conference of Catholic Bishops own 'Criteria' for the portrayal of Jews in dramatizations of the Passion no bloodthirsty Jews, no rabble, no use of Scripture that reinforces negative stereotypes of Jews.
The 'good Jews' look like Italian movie stars Italian sex symbol Monica Bellucci is Mary Magdalene ; Jesus's mother, who would have been around 50 and appeared 70, could pass for a ripe William Fulco , S.
One specific scene in the film perceived as an example of anti-Semitism was in the dialogue of Caiaphas, when he states "His blood [is] on us and on our children!
Certain Jewish groups asked this be removed from the film. However, only the subtitles were removed; the original dialogue remains in the Hebrew soundtrack.
My brother said I was wimping out if I didn't include it. But, man, if I included that in there, they'd be coming after me at my house.
They'd come to kill me. It's directed at all of us, all men who were there, and all that came after. His blood is on us, and that's what Jesus wanted.
But I finally had to admit that one of the reasons I felt strongly about keeping it, aside from the fact it's true, is that I didn't want to let someone else dictate what could or couldn't be said.
Additionally, the film's suggestion that the Temple's destruction was a direct result of the Sanhedrin 's actions towards Jesus could also be interpreted as an offensive take on an event which Jewish tradition views as a tragedy, and which is still mourned by many Jews today on the fast day of Tisha B'Av.
I think it's meant to just tell the truth. I want to be as truthful as possible. The Papacy has condemned racism in any form Jesus died for the sins of all times, and I'll be the first on the line for culpability.
Conservative columnist Cal Thomas also disagreed with allegations of antisemitism, stating "To those in the Jewish community who worry that the film might contain anti-Semitic elements, or encourage people to persecute Jews, fear not.
The film does not indict Jews for the death of Jesus. Peter , St. John , Veronica who wipes Jesus' face and offers him water and several Jewish priests who protest Jesus' arrest Nicodemus and Joseph of Arimathea during Caiaphas' trial of Jesus.
Bob Smithouser of Focus on the Family's Plugged In also believed that film was trying to convey the evils and sins of humanity rather than specifically targeting Jews, stating: "The anthropomorphic portrayal of Satan as a player in these events brilliantly pulls the proceedings into the supernatural realm—a fact that should have quelled the much-publicized cries of anti-Semitism since it shows a diabolical force at work beyond any political and religious agendas of the Jews and Romans.
Anti-Semitism, like all forms of racism, distorts the truth in order to put a whole race of people in a bad light.
This film does nothing of the sort. It draws out from the historical objectivity of the Gospel narratives sentiments of forgiveness, mercy, and reconciliation.
It captures the subtleties and the horror of sin, as well as the gentle power of love and forgiveness, without making or insinuating blanket condemnations against one group.
This film expressed the exact opposite, that learning from the example of Christ, there should never be any more violence against any other human being.
South Park parodied the controversy in the episodes " Good Times with Weapons ", " Up the Down Steroid " and " The Passion of the Jew ", all of which aired just a few weeks after the film's release.
Several critics were troubled by the film's extensive, detailed violence, and especially cautioned parents to avoid taking their children to the cinema.
The movie is minutes long, and I would guess that at least of those minutes, maybe more, are concerned specifically and graphically with the details of the torture and death of Jesus.
This is the most violent film I have ever seen. Ebert also stated that the R-rated film should have instead been rated NC in a "Movie Answer Man" response, adding that no level-minded parent should ever allow children to see it.
In , writer Michael Gurnow in American Atheists stated much the same, labeling the work a mainstream snuff film. Scott in The New York Times wrote " The Passion of the Christ is so relentlessly focused on the savagery of Jesus' final hours that this film seems to arise less from love than from wrath, and to succeed more in assaulting the spirit than in uplifting it.
He wrote, "Surely Gibson knows better than anyone in Hollywood is willing to admit that violence sells. It's problematic that this time, Gibson has made a film that asks for a sensitive, serious, personal response to violence rather than his usual glorifying of vengeance.
I wanted it to be shocking; and I wanted it to be extreme So that they see the enormity of that sacrifice; to see that someone could endure that and still come back with love and forgiveness, even through extreme pain and suffering and ridicule.
The actual crucifixion was more violent than what was shown on the film, but I thought no one would get anything out of it. In June , writer Randall Wallace stated that he and Gibson had begun work on a sequel to The Passion of the Christ focusing on the resurrection of Jesus.
He estimated that release of the film was still "probably three years off",  stating that "it is a big project". It's coming.
From Wikipedia, the free encyclopedia. This article is about the film. For the religious incident on which the film is based, see Passion of Jesus.
For the set of paintings, see The Passion of Christ Strasbourg. Theatrical release poster. Mel Gibson Benedict Fitzgerald. John Wright Steve Mirkovich.
Icon Productions. Aramaic Latin Hebrew. This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources.
Unsourced material may be challenged and removed. Christianity portal Film portal United States portal. British Board of Film Classification.
February 18, Retrieved June 2, Box Office Mojo. Retrieved February 5, The Numbers. Retrieved October 13, The Wall Street Journal.
Retrieved October 20, Archived from the original on October 5, Corley, Robert Leslie Webb. June
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